In Wicked: For Good, the focus stays largely on Elphaba’s perspective, and Dorothy barely appears on-screen. Yet, there’s a clear reason Elphaba harbors resentment toward the girl from Kansas beyond the cliché of “stolen slippers.” Their conflict runs deeper—rooted in betrayal, misunderstanding, and the damage caused by propaganda.
Dorothy symbolizes everything Elphaba despises about the false image of “good.” To Elphaba, Dorothy’s innocence and hero status represent the public’s willingness to judge people by appearances. The slippers, taken from Elphaba’s deceased sister Nessarose, symbolize not just loss but injustice, stealing from the fallen without knowing their story.
Elphaba’s anger grows from her realization that Dorothy, though kindhearted, becomes a propaganda tool for the Wizard’s regime. Their clash reflects the broader theme of Wicked: the danger of moral absolutes. Elphaba resists a world that defines people as “good” or “wicked,” while Dorothy unknowingly reinforces that false divide.
By the story’s end, Elphaba recognizes Dorothy as a victim of circumstance—just another pawn in the system that painted Elphaba as evil. Their conflict underscores the tragedy of perception, showing how myths are born from partial truths and fear.
“It’s not the slippers she hates,” a character remarks. “It’s what they stand for.”
Author’s summary: Elphaba’s conflict with Dorothy in Wicked: For Good reveals how misunderstanding and propaganda distort moral truth, turning compassion into conflict.