Edgar Wright really, really loves films

Edgar Wright really, really loves films

Three decades into a career built on impeccable rhythm and wit, filmmaker Edgar Wright reflects on his journey — past, present, and future — considering ambition, influence, and his unwavering affection for cinema.

A morning with Edgar Wright

On a typically chilly October morning, Wright joins the interview via Zoom with characteristic charm. His first words are casual and friendly: he mentions that his coffee will arrive shortly and asks for patience if he needs to step away to retrieve it.

“It’s a perfectly Wrightian entrance — casual, human and with just a hint of urgency.”

This small moment captures the essence of Wright’s creative world: quick-witted, rhythmic, and filled with the kind of spontaneity that defines his films. Just as he dives into a thought, his coffee arrives. Moments later, he returns to the screen, ready to continue the conversation.

The rhythm of his creativity

Settling back into the call, Wright inhabits the space between meticulous director and natural storyteller, a man whose thoughts unfold in cuts and beats. His speech feels like an unseen edit — deliberate, timed, and engaging. Beneath his precision lies genuine warmth, the kind that makes each interaction feel like revisiting a favorite movie.

“If there’s one thing immediately clear, it’s this: Edgar Wright is utterly, unabashedly and irrevocably in love with movies.”

An encyclopedia of cinema

Throughout nearly an hour of conversation, Wright’s passion flickers through endless references — an instinctive catalog of directors, moments, and influences that reveal just how deeply cinema runs in his veins.

Author’s summary: In this reflection, Edgar Wright emerges as a director fueled by wit, rhythm, and passionate devotion to the art of filmmaking.

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Hunger Magazine Hunger Magazine — 2025-11-03

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